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Pure Affections Raag Rageshri Abhijit Pohankar Rupak Kulkarni Niladri Kumar MP3

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Title:Niladri Kumar - Pure Affections I - Raag Rageshri (Instrumental)

Duration: 4:28

Quality:320 Kbps

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A raga or raaga (IAST: rāga; also raag or ragam ; literally "coloring, tingeing, dyeing") is a melodic framework for improvisation akin to a melodic mode in Indian classical music. While the raga is a remarkable and central feature of the classical music tradition, it has no direct translation to concepts in the classical European music tradition. Each raga is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "color the mind" and affect the emotions of the audience. A Raga has a combinations of seven svarās. They are Shadja,rishaba,Gānahāra,Madhyama,Panchama,Dhaivatha and Nishada. A raga consists of at least five notes, and each raga provides the musician with a musical framework within which to improvise. The specific notes within a raga can be reordered and improvised by the musician. Ragas range from small ragas like Bahar and Shahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa, the primary development of which has gone down to the lower octave compared to the traditionally middle octave. Each raga traditionally has an emotional significance and symbolic associations such as with season, time and mood. The raga is considered a means in Indian musical tradition to evoke certain feelings in an audience. Hundreds of raga are recognized in the classical tradition, of which about 30 are common. Each raga, state Dorothea E. Hast and others, has its "own unique melodic personality". There are two main classical music traditions, Hindustani (North Indian) and Carnatic (South Indian), and the concept of raga is shared by both. Raga are also found in Sikh traditions such as in Guru Granth Sahib, the primary scripture of Sikhism. Similarly it is a part of the qawwali tradition found in Sufi Islamic communities of South Asia. Some popular Indian film songs and ghazals use rāgas in their compositions.

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